Sunday Reviews

A very quiet week, this week – but it’s quality, not quantity.


Dr Manhattan finally reveals when and how he’s been hanging around the DCU, first appearing way back in 1938 at the original first appearance of the Golden Age Superman. The rest of the issue, he talks both about the DCU timeline changes and, at the same time, discusses the fortunes of the actor Carver Colman who plays Nathaniel Dusk – clips from the Dusk films and Colman’s murder have been littered throughout the previous issues and this one makes it clear why. Manhattan, focusing on Superman and the changes to his origin story, realises that “outside forces” are changing things; these outside forces are (in-story) the Anti-Monitor and Extant, but there’s also plenty of meta-commentary about them being the Editors at DC. He labels the main DCU the “metaverse” and, out of curiosity, meddles with it by moving Alan Scott’s lantern out of his reach way back during the train crash that allowed him to become the first Green Lantern. This wipes out the JSA and, in turn, creates the New 52 DCU (while simultaneously ignoring FLASHPOINT and the Pandora character who was originally credited/blamed with creating it). And, as the issue ends, he realises he’s on a crash course with Superman.

Despite all the delays this series has had, despite the likelihood that it’s impact on the main DCU will be lessened by the time it finishes due to Geoff Johns no longer having the influence he had back when Rebirth was kicked off, this is a bloody good story and an excellent single issue. Both Johns and artist Gary Frank absolutely nail this one, and while I look forward to its ending, with Brian Michael Bendis and Tom King being Dan Didio’s golden boys these days, I really doubt there’ll be the massive impact at the end of DOOMSDAY CLOCK that was promised. I hope I’m wrong.

And talking of hope, it gets several mentions in this story and, with the recent ending of HEROES IN CRISIS and what that story does to Wally West who, in DC UNIVERSE: REBIRTH was the beacon of hope, I can’t help but think poor old Geoff Johns’ story isn’t going to make much difference in the DCU.


McGregor and Shaw continue their journey through what might be hell, with McGregor revealing a secret from his teenage years which ends with an expression of hopelessness and nihilism . . . and a possible help to Shaw.

Another excellent issue with Ennis continually subverting what you expect to happen. Two more issues to go!